Morton Feldman: Piano, Violin, Viola, Cello <BR> BRIDGE 9446Feldmans last work, Piano, Violin, Viola, Cello displays the qualities of the late style: complete mastery, utter assurance, and a kind of luminous melancholy. Like Palais de Mari, written a year earlier, it unfolds at a leisurely pace, with similar uses of repetition and recurrence, gentle rocking figures, and a somewhat restricted range. The measured unfolding of the material, without emphasis on dramatic contrast or large fluctuations in the rate

Lerner has lived in Thailand since 1990 and is currently a lecturer in the Music Department of Payap University in Chiang Mai

ghosts of Beethoven

An absolute must for violin fans

Henry Carey

and radically depart from the complexities as well as the dissonances of dodecaphonic music

His music is well worth getting to know

harpsichord and celesta) suggesting older models

Barcarolle in F Sharp Minor

Now available in a complete edition

and the symphony orchestras of St

2003 Grammy Nominee: Best Solo Instrumental Performance

Amy Shulman