Form & FrequencySound design begins with form the raw oscillation, the harmonic density, the character of the source. Everything after is frequency: what you do to it, how far you push it, how strange it can become. Form & Frequency pairs our hybrid complex oscillator PM 202 with three spectral tools hand picked from the Puremagnetik library not as a signal chain you have to follow, but as a palette of possibilities we think get the most out of PM 202's output. Use

A modulating algorithmic reverb effect with a Moog style filter

Through September 10th

“Almost all of the tracks

The synthesis section is divided into two sound engines allowing you to sculpt its tonal balance from purely electronic to acoustic bass drums

modular synths and more

sound designers should become acquainted with the character of Swarm and how it can best be utilized in their productions

But these undulating waves are more than the reflections from an uncanny surface

Loaded with over 230 fresh samples and 5 separate Groove Sequencer banks

stonaphone and more

1-unit rackmount module

Blip for Ableton Live also contains a collection of percussive MIDI clips complete with Macro controls and extensive rack programming

Cinescapes I: Seamlessly looping